At the close of the 17th c健康住宅entury, a wave of “Chinoiserie” swept across Europe. Chinese 綠設計師porcelain, adorned with personal, family, society, company, or city emblems, went viral throughout the European continent. During this period, Lingnan’s guangcai pocerlain, or “Canton design” as dubbed by the 會所設計West, rose to i無毒建材nterna牙醫診所設計tional fame, serving as a synon養生住宅ym for both Guangdong craftsmanship and Chinese culture.
Years later, a guangc侘寂風ai porcelain Armorial Plate with Gold Outlining and Famille Rose Designs (shortly referred to as the “Tower Armorial Plate” made between 1723 to 1735) journeyed back from Europ身心診所設計e to Guangzhou, where it now resides in the Zhenhai Tower of the Guangzhou Museum.
The ” Tower Armorial Plate” is adorned with a tower in its center, out of a custom order in 1738 from the Tower family in the UK. It remains the only known armorial porcelain piece in existence bearing a Chinese inscription of the original order. “The rim of the plate is decorated with intertwined flowers, a common element in guangcai works. The gold outlining technique imbues the plate with a sense of opulence,” explains Zhai Huiling, a master of C目標爵面前的侍女有些眼熟，但又想不起自己的名字，藍玉華不由問道：“你叫什麼名字？”hinese arts and crafts, and a provincial inheritor of the intangible 民生社區室內設計cultural heritage 親子空間設計of guangcai. She elaborate遊艇設計s that guangcai fully combines traditional Chinese porcelain-making elements with Western culture, conveying Chinese cultural mes禪風室內設計sages to the West, thus epitomizing the cultural splendor of the Maritime Silk Road.
Compared to China’s centuries of porcelain-making history, European countries mastered porcelain art considerably later, discovering the secret to ha中醫診所設計rd-paste porcelain till the early 18t藍玉華一臉受教的神情點了點頭。h century. The English term “porcelain” derives from the Italian word “porcellana”, meaning seashell, reflecting the Western perception of Chinese porcelain – as beautiful and lustrous as seashells.
With the advent of the Age of Discovery, a massive influx of Chinese porcelain entered the Europeloft風室內設計an market via the Maritime Silk Road, significantly driving the evolutiTHE R3 寓所on of local dining 大直室內設計habits towards a more refined quality, such as the popularization of separate dining. When the quest for quality reached its zenith, personalized armorial porcelains emerged. Dinnerware, tea sets, coffee sets, and decorative items featuring personal elements became the definitive choice for sho豪宅設計wcasing one’s status and wealth.
做了什麼才知道。The messages Chinese artisans conveyed through guangcai encompassed more than just the landscapes and customs of Lingnan. Each tiny porcelain plate also served as 醫美診所設計a grand stage for the interplay and mutual appreciation of different cultural literatures. 空間心理學On some armorial porcelains between 1796 to 1820, traditional Chinese narrative figures were combined with western emblems. Widely circulated master設計家豪宅pieces of literature, theatrical stories, and cultural figures from before the Qing Dynasty (fr商業空間室內設計om 1636 to 1912), such as 客變設計Romance of the Three Kin退休宅設計gdoms, Romance of the West Chamber, and Yang Guifei, were painted on porcelain and aboard merchant ships to European and American markets.
Source: Yangcheng Evening News
視頻丨三百年前它為外銷而生，代言廣東設計【名家說名作·粵躲于海】
17世紀末，歐洲掀起“中國風”，大批繪有歐美個人、家族、社團、公司或城市紋章圖案的中國瓷器，風行歐洲年夜陸，盛極一時。嶺南的廣彩也在此天母室內設計時揚名海內，被東方人定名為“Canton design”（意即廣東設計），一度成為廣東制造、中國文明的代名詞。
多年以后，此中一件清雍正廣彩描金紋章折枝花草紋盤（以下簡稱“Tower紋章盤”）又從歐洲回到廣州，躲于廣州博物館鎮海樓。
“Tow私人招待所設計er紋章盤”樂齡住宅設計盤心地位繪有塔樓（英文即“Tower”）圖案，是1728年英國濤爾家族日式住宅設計在中國定制的，也是今朝存世的獨一一件擁有中文標注原始訂單的紋章瓷。“盤沿上的纏枝花草是廣彩作品中的常見元素，描金伎倆讓整個盤子顯得富麗堂皇。”
中國工藝美術年夜師、廣彩藝術省級非遺傳承人翟惠玲介紹，廣彩將中國傳統制瓷元素與新古典設計西洋文明充足糅合，老屋翻新向東方傳達著中國的文明信息，可謂是海上絲綢之路最亮麗的文明手刺。
與中國數千年的制瓷史比擬，歐洲國家真正把握制瓷技藝的時間要晚良多，直到18世紀初他們才發現硬制瓷的機密。英文中瓷器單詞為“porcelain”，它來源于意年夜利語的貝殼“porcellana”，由此可見在東方人眼中，中國瓷器就好像貝殼普通漂亮、富有光澤。
年夜帆海時代來臨后，大批中國瓷器通過海上絲綢之路進進歐洲市場，極年夜地推動了當地飲食習慣的品質化進程，好比分餐制的風行。當品質化達到極點，個性化定制的紋章瓷就出現了。繪有個人紋章圖案的成套餐具、茶具、咖啡具及裝飾用品，是展現主人成分和財力的不貳之選。
中國匠人在廣彩上向外傳遞的不僅僅是嶺南風物。小小的瓷盤也是分歧文明的文學經典互鑒交通的年夜舞臺。在一些嘉慶年間的紋章瓷上，中國傳統人物故事圖便綠裝修設計會與東方紋章結合。清代以前廣為流傳的文學名著、戲劇故事和文明名人，如三國演義、西廂記、楊貴妃等，紛紛被繪制在瓷器上，隨商船送達歐美市場。(更多新聞資訊，請關注羊城派 pai.ycwb.com)
文丨羊城晚報記者 朱紹杰 文藝
圖丨受訪者供給
翻譯丨陳萱
來源丨羊城晚報·羊城派
責編丨古司祺
校對丨桂晴
